Will Amazonic Women Usurp Man's Sphere?
An advertisement for a lecture at Chicago's Dill Pickle Club, printed on the reverse of an advertisement for a lecture by Magnus Hirschfeld. Little is known about the speaker, Elizabeth Davis, who appears to have been part of the bohemian community on Chicago's north side.
St. Patrick's Costume Ball
This flyer from Chicago's Dill Pickle Club announces a costume ball on St. Patrick's Day, 1925. Oral histories suggest that masquerade balls at this and other clubs were an important part of the early community of gay men and lesbians in Chicago. Under cover of the party, women could dress as men and men as women. With so many people cross-dressing, few took notice of same sex couples. Although the Dill Pickle Club closed early in the 1930s, citywide Halloween Balls continued to be meeting places for gay men and lesbians into the 1940s.
A Night in Bohemia: Dill Pickle Masked Ball
Among the most popular Dill Pickle Club events were its frequent masquerade balls. These events appealed to a broad range of partygoers, allowing wealthy residents of the Gold Coast to mingle in relative anonymity with working people and artists. Masquerade balls also attracted gay men and women. Under cover of the party, women could dress as men and men as women. With so many people cross-dressing, few took notice of same sex couples. Although the Dill Pickle Club closed early in the 1930s, citywide Halloween Balls continued to be meeting places for gay men and women into the 1940s.
Chicago's Interracial Debating Classic, January 25, 1931
Before the advent of television, lectures and debates provided public entertainment. Social activists used these venues to present their ideas and to educate their constituencies. This flyer promotes a debate involving A. Philip Randolph and Chandler Owen, both leaders of the Brotherhood of Sleeping Car Porters (BSCP), as optimists, and Ben Reitman and David Tullman, both white radicals associated with the Dill Pickle Club, as pessimists. Although the exact topic of the debate is unclear, both sides supported unionization as well as racial integration. In 1931, the BSCP was engaged in a campaign to gain formal recognition as the union of African American porters and maids who worked on Pullman sleeping cars.
Sherwood Anderson, “Jack Jones—The Pickler.”
In this article from the Chicago Daily News, the novelist Sherwood Anderson describes the diverse audience at the Dill Pickle Club: “The street car conductor sits on a bench beside the college professor, the literary critic, the earnest young wife, who hungers for culture, and the hobo.”
The Season in Full Swing at the Dill Pickles
An advertisement for a week of events at Chicago's Dill Pickle Club suggests the eclectic mix of radicalism and ribaldry typical of the club. During the fall of 1930 Mae West's melodrama “Sex” played at Chicago's Garrick Theater promising audiences “55 people” on stage and “555 Thrills.” Earlier in the year, West became an unlikely icon of free speech when she prevailed over New York City prosecutors who accused her of producing obscene plays. Hypolite Havel was an anarchist intellectual and former associate of Emma Goldman. Ralph Chaplin was an editor and illustrator for the Industrial Workers of the World and the author of the labor anthem “Solidarity Forever.”
Anti-War Dance, 1918
Chicagoans organized many protests against American involvement in World War I, including this Anti-War Dance sponsored by the bohemian Dill Pickle Club. Critics of the war charged that large manufacturers were the most likely to profit from the war while workers were the most likely to die in the trenches. The war deeply divided Chicago's radicals. Some believed that it was necessary to remain loyal to the government once Congress declared war. Others urged active resistance to mobilization and the draft.
Portrait of Jack Jones, 1919
A portrait of Jack Jones by Polish immigrant artist Stanislaus Szukalski. A Canadian by birth, and a one-time labor organizer, Jones managed the Dill Pickle Club in Chicago from 1914 to 1931. His friend and collaborator Szukalski, who maintained a studio nearby, was a modernist painter and sculptor and part of the city's bohemian cultural scene. The portrait appeared in an article about Jones by the novelist Sherwood Anderson (image #137).
Dill Pickle Club House and Chapel
A handbill advertises three plays at Chicago's Dill Pickle Club. An inset map shows artists' studios nearby. The plays touched on social and political issues including labor conflict, abortion, drug use, and Irish nationalism.
